<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><title>PianoWorks Latest News Feed</title><link>http://www.pianoworks.com/</link><description>Summary of the latest news articles from PianoWorks</description><item>
      <title>Research and Markets: Global and Chinese Piano Industry Report, 2011-2012</title>
      <link>http://finance.yahoo.com/news/research-markets-global-chinese-piano-111200464.html</link>
      <pubDate>Mon, 23 Apr 2012 04:12:00 -0700</pubDate>
      <description>Dublin - Research and Markets has announced the addition of the &amp;quot;Global and Chinese Piano Industry Report, 20</description>
      <guid isPermaLink="false">http://finance.yahoo.com/news/research-markets-global-chinese-piano-111200464.html</guid>
    <sv_id>Y|6|0</sv_id></item>
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      <title>Unique piano may steal show at Instruments A Comin&amp;#39; benefit</title>
      <link>http://www.nola.com/nolavie/index.ssf/2012/04/unique_piano_may_steal_show_at.html</link>
      <pubDate>Mon, 23 Apr 2012 12:22:18 -0700</pubDate>
      <description>The 88 keys of a piano being auctioned next Monday have been signed by Louisiana music luminaries such as Fats Domino, Dr. John, Kermit Ruffins, Trumbone Shorty. World-renowned artist Stephan Wanger covered the piano with a beautifully intricate mosaic of recycled Mardi Gras beads.</description>
      <guid isPermaLink="false">http://www.nola.com/nolavie/index.ssf/2012/04/unique_piano_may_steal_show_at.html</guid>
    <sv_id>Y|6|1</sv_id></item>
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      <title>Review: Generation Next: Piano with Eldar &amp; Hiromi</title>
      <link>http://www.nuvo.net/indianapolis/review-generation-next-piano-with-eldar-and-hiromi/Content?oid=2441461</link>
      <pubDate>Tue, 24 Apr 2012 10:05:14 -0700</pubDate>
      <description>Returning Saturday night from the Generation Next: Piano with Eldar &amp; Hiromi, I was torn between wanting to practice eight hours a day and wanting to sell my piano. by Jeff Reed Generation Next: Piano with Eldar &amp; Hiromi Center for the Performing Arts Saturday, April 21 Returning Saturday night from the Carmel Center for the Performing Arts’ double-bill, Generation Next: Piano with Eldar ...</description>
      <guid isPermaLink="false">http://www.nuvo.net/indianapolis/review-generation-next-piano-with-eldar-and-hiromi/Content?oid=2441461</guid>
    <sv_id>Y|6|2</sv_id></item>
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      <title>Piano Opera Final Fantasy IV/V/VI on sale this May</title>
      <link>http://www.gamespot.com/news/6372022.html?part=rss&amp;tag=gs_news&amp;subj=6372022</link>
      <pubDate>Tue, 17 Apr 2012 09:02:54 -0700</pubDate>
      <description>Piano arrangements of Super Nintendo Final Fantasy OST album to be on sale on various online stores.</description>
      <guid isPermaLink="false">http://www.gamespot.com/news/6372022.html?part=rss&amp;tag=gs_news&amp;subj=6372022</guid>
    <sv_id>Y|6|3</sv_id></item>
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      <title>Kate McGarry On Piano Jazz</title>
      <link>http://www.npr.org/2012/04/20/102165854/kate-mcgarry-on-piano-jazz?ft=1&amp;f=10002</link>
      <pubDate>Mon, 23 Apr 2012 12:57:34 -0700</pubDate>
      <description>The singer and songwriter grew up with Celtic and pop music in her home, and after discovering Keith Jarrett and Bill Evans, she became known as a folksy jazz vocalist. She visits the program along with keyboardist Gary Versace.</description>
      <guid isPermaLink="false">http://www.npr.org/2012/04/20/102165854/kate-mcgarry-on-piano-jazz?ft=1&amp;f=10002</guid>
    <sv_id>Y|6|4</sv_id></item>
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      <title>Review: Eri Nakagawa, piano</title>
      <link>http://au.news.yahoo.com/thewest/entertainment/a/-/arts/13508701/review-eri-nakagawa-piano/</link>
      <pubDate>Mon, 23 Apr 2012 20:03:11 -0700</pubDate>
      <description>Of Beethoven&amp;#39;s 32 piano sonatas, the last three - composed between 1820 and 1822- were especially personal. Sonatas Nos. 31 and 32 were dedicated to Mrs Antonie Brentano, considered by some to be the &amp;quot;Immortal Beloved&amp;quot; addressed in his love letters, and Sonata No. 30 to her daughter Maximiliane. The sonatas also exhibit startling structural and harmonic innovations.</description>
      <guid isPermaLink="false">http://au.news.yahoo.com/thewest/entertainment/a/-/arts/13508701/review-eri-nakagawa-piano/</guid>
    <sv_id>Y|6|5</sv_id></item>
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      <title>Painted pianos will 'Pop-Up' across Seminole in May - Orlando Sentinel</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNEH6sxREbHLaacV7a90TI9hRxMlzA&amp;url=http://articles.orlandosentinel.com/2012-04-24/news/os-pop-up-pianos-seminole-20120417_1_pop-up-pianos-steinway-society-sanford-artist</link>
      <pubDate>Tue, 24 Apr 2012 15:35:38 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNEH6sxREbHLaacV7a90TI9hRxMlzA&amp;amp;url=http://articles.orlandosentinel.com/2012-04-24/news/os-pop-up-pianos-seminole-20120417_1_pop-up-pianos-steinway-society-sanford-artist"&gt;&lt;b&gt;Painted &lt;b&gt;pianos&lt;/b&gt; will &amp;#39;Pop-Up&amp;#39; across Seminole in May&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;Orlando Sentinel&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;Artist Lori Anne Harris decorates a &lt;b&gt;piano&lt;/b&gt; Saturday for the upcoming fundraiser Pop-Up &lt;b&gt;Pianos&lt;/b&gt;. Harris and seven other artists were at the Steinway &lt;b&gt;Piano&lt;/b&gt; Galleries in Altamonte Springs painting &lt;b&gt;pianos&lt;/b&gt;, which will be on display in Seminole County starting &lt;b&gt;...&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=dIbpvuPPxQqX_1M"&gt;&lt;nobr&gt;&lt;b&gt;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
      <guid isPermaLink="false">tag:news.google.com,2005:cluster=http://articles.orlandosentinel.com/2012-04-24/news/os-pop-up-pianos-seminole-20120417_1_pop-up-pianos-steinway-society-sanford-artist</guid>
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      <title>Bassoon, piano and heartstrings - Western Front</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNHsBZIxVAaLB9zpJ4oFY11fo4u5Mw&amp;url=http://westernfrontonline.net/features/15-features/14588-bassoon-piano-and-heartstrings</link>
      <pubDate>Tue, 24 Apr 2012 13:37:29 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNHsBZIxVAaLB9zpJ4oFY11fo4u5Mw&amp;amp;url=http://westernfrontonline.net/features/15-features/14588-bassoon-piano-and-heartstrings"&gt;&lt;b&gt;Bassoon, &lt;b&gt;piano&lt;/b&gt; and heartstrings&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;Western Front&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;Botamanenko, a biochemistry major, is a &lt;b&gt;piano&lt;/b&gt; accompanist for vocal majors. Being an accompanist is different from other jobs because it&amp;#39;s a partnership with other students because his performance affects their grades, he said.&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=dmnT35S3gdLo0SM"&gt;&lt;nobr&gt;&lt;b&gt;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
      <guid isPermaLink="false">tag:news.google.com,2005:cluster=http://westernfrontonline.net/features/15-features/14588-bassoon-piano-and-heartstrings</guid>
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      <title>More piano trio encounters of the European kind (CD reviews) - Ottawa Citizen (blog)</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNG2axBPcevvKBUFp6mrcFDLtt4TyQ&amp;url=http://blogs.ottawacitizen.com/2012/04/24/more-piano-trio-encounters-of-the-european-kind-cd-reviews-2/</link>
      <pubDate>Tue, 24 Apr 2012 15:16:11 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNG2axBPcevvKBUFp6mrcFDLtt4TyQ&amp;amp;url=http://blogs.ottawacitizen.com/2012/04/24/more-piano-trio-encounters-of-the-european-kind-cd-reviews-2/"&gt;&lt;b&gt;More &lt;b&gt;piano&lt;/b&gt; trio encounters of the European kind (CD reviews)&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;Ottawa Citizen (blog)&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;Walking Dark is a consistent collection of very smart and very contemporary &lt;b&gt;piano&lt;/b&gt; trio music, rich with ornate, complex original material that would afford jazz nerds-in-training many hours of happy analysis. Would you expect anything less that keen &lt;b&gt;...&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=d6uM2uF_uPwG8NM"&gt;&lt;nobr&gt;&lt;b&gt;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
      <guid isPermaLink="false">tag:news.google.com,2005:cluster=http://blogs.ottawacitizen.com/2012/04/24/more-piano-trio-encounters-of-the-european-kind-cd-reviews-2/</guid>
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      <title>Evgeny Kissin's range, lyricism prove his piano mastery - Chicago Tribune</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNGGzhjG_9vW7I1G56PvaovDcuyXnQ&amp;url=http://www.chicagotribune.com/entertainment/music/ct-ent-0424-kissin-review-20120423,0,4957755.column</link>
      <pubDate>Mon, 23 Apr 2012 17:29:38 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNGGzhjG_9vW7I1G56PvaovDcuyXnQ&amp;amp;url=http://www.chicagotribune.com/entertainment/music/ct-ent-0424-kissin-review-20120423,0,4957755.column"&gt;&lt;b&gt;Evgeny Kissin&amp;#39;s range, lyricism prove his &lt;b&gt;piano&lt;/b&gt; mastery&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;Chicago Tribune&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;It has been fascinating to chart the various stations through which Evgeny Kissin has passed on his rise to becoming one of the supreme &lt;b&gt;piano&lt;/b&gt; masters of his generation. The Russian virtuoso, who gave a commanding recital Sunday at Orchestra Hall, &lt;b&gt;...&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNFvkuSjYkdDIyNrjk0LELKpz_cErw&amp;amp;url=http://chicagoclassicalreview.com/2012/04/at-40-kissin-shows-that-virtuosity-is-still-child%25E2%2580%2599s-play/"&gt;At 40, Kissin shows that virtuosity is still child&amp;#39;s play&lt;/a&gt;&lt;font size="-1" color="#6f6f6f"&gt;&lt;nobr&gt;Chicago Classical Review&lt;/nobr&gt;&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=dKseMR20H-NUz0MFpWqs8v944GU2M"&gt;&lt;nobr&gt;&lt;b&gt;all 3 news articles&amp;nbsp;&amp;raquo;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
      <guid isPermaLink="false">tag:news.google.com,2005:cluster=http://www.chicagotribune.com/entertainment/music/ct-ent-0424-kissin-review-20120423,0,4957755.column</guid>
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      <title>Why player pianos have a role to play - Irish Times</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNFVSunOXdgwnR2Ilxsb7F-RPfT9yg&amp;url=http://www.irishtimes.com/newspaper/features/2012/0424/1224315097856.html</link>
      <pubDate>Mon, 23 Apr 2012 23:50:10 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNFVSunOXdgwnR2Ilxsb7F-RPfT9yg&amp;amp;url=http://www.irishtimes.com/newspaper/features/2012/0424/1224315097856.html"&gt;&lt;img src="//nt0.ggpht.com/news/tbn/kHFedkzl-Ux7LM/6.jpg" alt="" border="1" width="80" height="80" /&gt;&lt;br /&gt;&lt;font size="-2"&gt;Irish Times&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNFVSunOXdgwnR2Ilxsb7F-RPfT9yg&amp;amp;url=http://www.irishtimes.com/newspaper/features/2012/0424/1224315097856.html"&gt;&lt;b&gt;Why player &lt;b&gt;pianos&lt;/b&gt; have a role to play&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;Irish Times&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;YOU MIGHT NOT ever have seen or heard one in the flesh, but you&amp;#39;ve probably seen a player &lt;b&gt;piano&lt;/b&gt; in a movie. Even in this age of digital wizardry, there&amp;#39;s a special aura attached to watching a &lt;b&gt;piano&lt;/b&gt;, as if by magic, playing itself, the keys going up and &lt;b&gt;...&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNHvE5WYfCNmnxP7rPwSVvCNKVNzoQ&amp;amp;url=http://www.guardian.co.uk/music/2012/apr/23/conlon-nancarrow-impossible-brilliance-review?newsfeed%3Dtrue"&gt;Conlon Nancarrow: Impossible Brilliance – review&lt;/a&gt;&lt;font size="-1" color="#6f6f6f"&gt;&lt;nobr&gt;The Guardian&lt;/nobr&gt;&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNFO40fwslQe_y4JfAw2KjjuO2i4kg&amp;amp;url=http://www.telegraph.co.uk/culture/music/classicalconcertreviews/9221708/Conlon-Nancarrow-Impossible-Brilliance-Southbank-Centre-review.html"&gt;Conlon Nancarrow, Impossible Brilliance, Southbank Centre, review&lt;/a&gt;&lt;font size="-1" color="#6f6f6f"&gt;&lt;nobr&gt;Telegraph.co.uk&lt;/nobr&gt;&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=dLwFg1WVpNNce6M2NbzTNiQ_0oMwM"&gt;&lt;nobr&gt;&lt;b&gt;all 3 news articles&amp;nbsp;&amp;raquo;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
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      <title>Kirill Gerstein Makes Solo Piano Debut at 92nd Street Y - New York Times</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNEWPz-J53QLwu5CoGF4DR1hFNSLrw&amp;url=http://www.nytimes.com/2012/04/24/arts/music/kirill-gerstein-makes-solo-piano-debut-at-92nd-street-y.html</link>
      <pubDate>Mon, 23 Apr 2012 22:07:39 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNEWPz-J53QLwu5CoGF4DR1hFNSLrw&amp;amp;url=http://www.nytimes.com/2012/04/24/arts/music/kirill-gerstein-makes-solo-piano-debut-at-92nd-street-y.html"&gt;&lt;b&gt;Kirill Gerstein Makes Solo &lt;b&gt;Piano&lt;/b&gt; Debut at 92nd Street Y&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;New York Times&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;Encores at recitals tend to display an artist&amp;#39;s virtuosity and range; it is rare that they can stand as symbols of the concerts they cap. But when the pianist Kirill Gerstein played a dazzling, slippery étude arrangement (by Earl Wild) of the &lt;b&gt;...&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=declHQVN5466O3M"&gt;&lt;nobr&gt;&lt;b&gt;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
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      <title>A Little Sondheim Music, 17 Ways, but No Words - New York Times</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNHR4eV6ZFsREunVW2jxPhox2mqPMA&amp;url=http://www.nytimes.com/2012/04/24/arts/music/anthony-de-mares-liaisons-reimaging-sondheim.html</link>
      <pubDate>Mon, 23 Apr 2012 22:05:40 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNHR4eV6ZFsREunVW2jxPhox2mqPMA&amp;amp;url=http://www.nytimes.com/2012/04/24/arts/music/anthony-de-mares-liaisons-reimaging-sondheim.html"&gt;&lt;b&gt;A Little Sondheim Music, 17 Ways, but No Words&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;New York Times&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;But another way to immerse myself in Sondheim&amp;#39;s work is to play through the &lt;b&gt;piano&lt;/b&gt;-vocal scores, where I can linger on some pungent harmony, unravel layered contrapuntal lines, slow down a complex rhythmic passage to see how it works, &lt;b&gt;...&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNG_OlJQpRpb_VZovpJWw8ZzY1G0iw&amp;amp;url=http://blogs.wsj.com/speakeasy/2012/04/23/how-classical-music-shaped-sondheims-songs/"&gt;How Classical Music Shaped Sondheim&amp;#39;s Songs&lt;/a&gt;&lt;font size="-1" color="#6f6f6f"&gt;&lt;nobr&gt;Wall Street Journal (blog)&lt;/nobr&gt;&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=dNzuRjX_iUEGJlMSdUVa7K6jNNiVM"&gt;&lt;nobr&gt;&lt;b&gt;all 2 news articles&amp;nbsp;&amp;raquo;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
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      <title>Nicky Hopkins: Classic Rock's Go-To Piano Man - Houston Press (blog)</title>
      <link>http://news.google.com/news/url?sa=t&amp;fd=R&amp;usg=AFQjCNElW19DSoNsAx-ddVo8uQ8xCSIf9g&amp;url=http://blogs.houstonpress.com/rocks/2012/04/_and_on_pianonicky_hopkins.php</link>
      <pubDate>Tue, 24 Apr 2012 17:02:11 GMT</pubDate>
      <description>&lt;table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top;"&gt;&lt;tr&gt;&lt;td width="80" align="center" valign="top"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;/font&gt;&lt;/td&gt;&lt;td valign="top" class="j"&gt;&lt;font style="font-size:85%;font-family:arial,sans-serif"&gt;&lt;br /&gt;&lt;div style="padding-top:0.8em;"&gt;&lt;img alt="" height="1" width="1" /&gt;&lt;/div&gt;&lt;div class="lh"&gt;&lt;a href="http://news.google.com/news/url?sa=t&amp;amp;fd=R&amp;amp;usg=AFQjCNElW19DSoNsAx-ddVo8uQ8xCSIf9g&amp;amp;url=http://blogs.houstonpress.com/rocks/2012/04/_and_on_pianonicky_hopkins.php"&gt;&lt;b&gt;Nicky Hopkins: Classic Rock&amp;#39;s Go-To &lt;b&gt;Piano&lt;/b&gt; Man&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="-1"&gt;&lt;b&gt;&lt;font color="#6f6f6f"&gt;Houston Press (blog)&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1"&gt;By Bob Ruggiero Tue., Apr. 24 2012 at 12:00 PM By Julian Dawson Though his name is known mostly to classic-rock liner note readers, even the casual fan has heard his &lt;b&gt;piano&lt;/b&gt; work: The wistful opening of Joe Cocker&amp;#39;s &amp;quot;You Are So Beautiful,&amp;quot; the pumping &lt;b&gt;...&lt;/b&gt;&lt;/font&gt;&lt;br /&gt;&lt;font size="-1" class="p"&gt;&lt;/font&gt;&lt;br /&gt;&lt;font class="p" size="-1"&gt;&lt;a class="p" href="http://news.google.com/news/more?ned=us&amp;amp;ncl=dHith8hmICiNs8M"&gt;&lt;nobr&gt;&lt;b&gt;&lt;/b&gt;&lt;/nobr&gt;&lt;/a&gt;&lt;/font&gt;&lt;/div&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description>
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    <sv_id>G|6|7</sv_id></item>
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